People's Democracy(Weekly Organ of the Communist Party of India (Marxist) |
Vol. XXXVII
No. 22 June 02, 2013 |
The
Businessman’s Game
Shatarup
Ghosh WITH
the Mumbai Indians crowned
champions at the final at On
May 15, players Terms
like “financial scam” and
“match fixing” usually gives the idea of some malpractices
done by one or a few
ethically bankrupt individuals. However, in the case of IPL,
the scams revealed
don’t seem to have much to do with individual ethics. A
close look into the
system of IPL shows that money laundering and criminal
activities are basically
an integral part of this cricketing extravaganza. SPONSORING
THE GAME OR GAME OF
SPONSORSHIP? The
IPL, from its very
inception, actually had very little to do with cricket. If
having a competitive
tournament at the domestic level, among various states of Instead
of that, having
high-profile team owners, glamorous cheer leaders dancing
along the boundary
lines, cricketers
being bought in auction, Bollywood stars lighting up the
galleries, extravagant
post match parties, not only add the much-needed glamour to
the game, but also
go on to ensure sumptuous media and endorsement contracts. And for any spectator, watching
an IPL match on TV, the
phenomenon of advertisements getting the better of the
game is too glaring to
be ignored. A
player carries as many as 11
advertisement logos in his jersey, apart from approximately
eight logos that
deface the playing field. The boundary boards,
sight-screens, stumps, dugouts,
uniforms of the umpires, placards carried by the crowd are
all ‘sponsored’ too.
If these aren’t enough, there are giant screens surrounding
the field which
constantly feature advertisements, and an MRF airship keeps
floating over the
stadium. Every decision of the third umpire is preceded and
succeeded by
endorsements. Even the four or the six that a player strikes
or the catch that
he takes doesn’t belong to him. They happen to be ‘Citibank
four’, ‘DLF
maximum’ or a ‘Karbonn Kamaal catch’! Owing
to this, the diction of
the game has also changed. Even until few years back, we
could relate to a
typical Tony Grieg style of commentary saying, “Look at that
straight drive
from Rahul Dravid! That is a perfect copybook shot from one
of the finest in
this part of the world. That back-lift, impeccable footwork,
with the shoulder
coming right up to follow the shot… well if you are a
budding cricketer, boy,
that’s the way you play it. He isn’t called the Wall for no
reason!” But things
have changed. Advertisers have come in. And now we hear the
commentator say, “This
could be one of the Volkswagen Power Performance from A.B.
DeVilliers! That’s
gone way high up in the sky and perhaps going to become a
DLF Maximum, or will
it be Citibank four? And, oh wait, that’s actually turning
out to be a Karbonn
Kamaal catch! Well this is certainly the Citi moment of
success for the Kings
XI Punjab!” And
the commercial breaks on
television are no longer only between the overs. Now they
are often between the
deliveries also, and the bowler is invariably found to wait
for the ad on the
scoreboard to end, before he bowls the next ball of the
over. The two
‘Strategic time outs’ that are there in the game ensure few
minutes of constant
advertisements; absolutely free from any sort of cricketing
interference. This
telecast time was owned by Max Mobile. As
pointed out by noted sports journalist Rahul Bhattacharya,
this was probably
the first instance where we saw the phenomenon of a
‘sponsored ad-break’. And now that the advertisers own
every single aspect
of the game, the monopoly enjoyed by them, over the on
field events seems to go
beyond common perception. Something that has always
surprised me is that, in an
IPL match, even if a batting side loses maximum number of
wickets early in the
innings, then also it usually goes on to play the full 20
overs. Similarly, the
team chasing the run usually does so till the last over of
its innings. In a
nutshell, almost every single IPL match completes its full
quota of 40 overs,
before we get to the final result of the match. Is this a
mere co-incidence? Or
has it got something to do with the interest of the
advertisers, for whom it is
absolutely essential that full 40 overs are played, so
that the entire quota of
endorsement is ensured? Evidently, the only way of making
the scoreboard
listen to you is to manipulate the players. Thus the
question arises whether
the so called ‘match-fixing’ is actually the corruption of
a few individuals?
Or is it institutionalised within the framework of IPL? WOMEN
FOR
From
the first season itself,
one of the aspects of IPL that struck our perception of the
game is the
introduction of cheer-leaders. It was difficult to find any
cricketing reason
behind having a few women dancing around the fence, whenever
a boundary is hit
or a wicket is taken. And as a matter of fact, it is not
about cricket, either.
It is only to add glamour and entertainment to the
broadcast, which is what the
IPL is all about. And the same reason may be cited behind
the recruitment of
female anchors and commentators, most of who seem to know
absolutely nothing
about the game. Not knowing the game is never an issue, as
long as they look
good on screen; because they have not been employed to
enhance the sporting
value of the broadcast, but to add an ’X-Factor’ to the
show. Recently Sharda
Ugra, in one of her articles has opined that women in IPL
are usually categorised
into two parts. The first are the ‘‘Respectables’’, which
include the
team-owners, the players’ wives/girlfriends, family members.
And the other ones
are the “Playthings which include the on-field cheerleaders,
studio-dancers and
the ‘colour’ girls — the two female reporters — chosen very
deliberately not
for their cricket nous but their youthful appearance.” After the
revelations of this scam, there is
yet another category of girls who are provided to the
players in their hotel
rooms, and a payment for their services to the bookies. Even
the broadcasters have
never tried to hide their actual purpose behind having good
looking female
anchors to host the programme. In fact they are on record saying that
each season they try to “hire
younger and fresher women for the Extra Innings
show.” Evidently, few of
the male anchors have been continuing since the first season
of IPL whereas
most of their female counterparts keep changing every year.
And in most of the
cases it is seen that their relationship with cricket is
only for the two
months of their lives, when they had anchored the IPL. “Ad
Guru” Prahlad
Kakkar, in a recent television debate, while vociferously
justifying this
practice has candidly stated, “the IPL is not classical
cricket. It is a
circus. It is meant to create entertainment and make money.”
Of course, showing
a circus on TV is not illegal. And neither is the right of
the broadcaster and
advertisers to make money. But this brazen commodification
of women as a tool
of doing it is something that raises concern. By looking
upon women as nothing
more than ‘eye candies’ who can be used only to add a
titillating factor to the
telecast, the broadcasters have actually shown their gender
bias, more than
anything else. Talking about this, Anjali Doshi, in one of
her recent articles
in the Wisden
magazine wrote that
this practice “not only trivialises cricket but also
stereotypes women.” And
this has been happening at a time when the
entire nation has been talking about the position of women
in our society and
pledging to uphold the values of gender equality in our
personal as well as
social lives. THE CHOICE ISN’T YOURS An
average Indian cricket lover
will watch cricket, whether it is played in the galli of
Chandni Chowk or an
extravagant IPL stadium. But what seems to be astonishing is
the fact that why
doesn’t the superficial burlesque of IPL seem repulsive to
one who has always
been attracted towards the playing field due to various
spectacular moments of
cricket? The lover of the game has always found delight in a
copy book straight
drive of Sachin Tendulkar, a rock solid forward defense from
Brian Lara, an
elegant pull by Ricky Ponting, a flying Jhonty Rhodes taking
a catch or a
‘sweet chin music’ by Andy Roberts. Then why doesn’t this
buffoonery of
endorsements in the name of cricket, turn him off? Actually
the liking and
disliking of a follower of the game has also changed over
the last two decades.
And the barrage of the media has been there to dictate our
choices. The
post ’91 Manmohanomics has
essentially put the country into a consumerism loop. “Buy
this, wear this, use
this, live this and you’ll thus be good enough to fit in and
belong, especially
to that level of status which you don’t really feel you belong
to.” This
is the neo-liberal mantra.
Globalisation
has taught us that the conformist will exist and the ‘loser’
will perish. So,
what should have been repulsive to the common Indian cricket
lover is now
acceptable. And the one who refuses to accept does not
count. Also,
what is important is that
there are a large number of people, who may actually be
profiting from these
murky businesses. Thus it is no wonder to hear some of them
calling for the
legalisation of betting. Tomorrow, are we to expect to hear
the demands for
legalisation of various other things like ‘making false
promises in ads’ and
‘not paying corporate taxes’ (whatever little they need to
pay) also, which
suits their interest? To
take a liberal stand on the
IPL is merely the first step in taking a liberal stand on
all these other
issues as well.